Minotti

Formed by the juxtaposition of suspended geometric volumes and reduced heights, the Milton side tables are available in the circular, square, rectangular and trapezoidal versions. The geometries are softened by the rounded corners that recall the sinuous curves of the Alexander "Drop" seating system. Characterized by a more contemporary and decorative reinterpretation of the lines of the Seventies, they showcase a refined game of combinations of precious materials and organic geometries.

Formed by the juxtaposition of suspended geometric volumes and reduced heights, the Milton side tables are available in the circular, square, rectangular and trapezoidal versions. The geometries are softened by the rounded corners that recall the sinuous curves of the Alexander "Drop" seating system. Characterized by a more contemporary and decorative reinterpretation of the lines of the Seventies, they showcase a refined game of combinations of precious materials and organic geometries.

Formed by the juxtaposition of suspended geometric volumes and reduced heights, the Milton side tables are available in the circular, square, rectangular and trapezoidal versions. The geometries are softened by the rounded corners that recall the sinuous curves of the Alexander "Drop" seating system. Characterized by a more contemporary and decorative reinterpretation of the lines of the Seventies, they showcase a refined game of combinations of precious materials and organic geometries.

Formed by the juxtaposition of suspended geometric volumes and reduced heights, the Milton side tables are available in the circular, square, rectangular and trapezoidal versions. The geometries are softened by the rounded corners that recall the sinuous curves of the Alexander "Drop" seating system. Characterized by a more contemporary and decorative reinterpretation of the lines of the Seventies, they showcase a refined game of combinations of precious materials and organic geometries.

Formed by the juxtaposition of suspended geometric volumes and reduced heights, the Milton side tables are available in the circular, square, rectangular and trapezoidal versions. The geometries are softened by the rounded corners that recall the sinuous curves of the Alexander "Drop" seating system. Characterized by a more contemporary and decorative reinterpretation of the lines of the Seventies, they showcase a refined game of combinations of precious materials and organic geometries.

Formed by the juxtaposition of suspended geometric volumes and reduced heights, the Milton side tables are available in the circular, square, rectangular and trapezoidal versions. The geometries are softened by the rounded corners that recall the sinuous curves of the Alexander "Drop" seating system. Characterized by a more contemporary and decorative reinterpretation of the lines of the Seventies, they showcase a refined game of combinations of precious materials and organic geometries.

Formed by the juxtaposition of suspended geometric volumes and reduced heights, the Milton side tables are available in the circular, square, rectangular and trapezoidal versions. The geometries are softened by the rounded corners that recall the sinuous curves of the Alexander "Drop" seating system. Characterized by a more contemporary and decorative reinterpretation of the lines of the Seventies, they showcase a refined game of combinations of precious materials and organic geometries.

Formed by the juxtaposition of suspended geometric volumes and reduced heights, the Milton side tables are available in the circular, square, rectangular and trapezoidal versions. The geometries are softened by the rounded corners that recall the sinuous curves of the Alexander "Drop" seating system. Characterized by a more contemporary and decorative reinterpretation of the lines of the Seventies, they showcase a refined game of combinations of precious materials and organic geometries.

Formed by the juxtaposition of suspended geometric volumes and reduced heights, the Milton side tables are available in the circular, square, rectangular and trapezoidal versions. The geometries are softened by the rounded corners that recall the sinuous curves of the Alexander "Drop" seating system. Characterized by a more contemporary and decorative reinterpretation of the lines of the Seventies, they showcase a refined game of combinations of precious materials and organic geometries.

Formed by the juxtaposition of suspended geometric volumes and reduced heights, the Milton side tables are available in the circular, square, rectangular and trapezoidal versions. The geometries are softened by the rounded corners that recall the sinuous curves of the Alexander "Drop" seating system. Characterized by a more contemporary and decorative reinterpretation of the lines of the Seventies, they showcase a refined game of combinations of precious materials and organic geometries.

This range of coffee tables, consoles, writing desk, lounge-table is meant to stand out as flexible and interact with the rest of the collection boldly, vivaciously and freely. More sizes, more heights, tops in four lacquered colours, smoked grey glass or Moka lacquered oak, Pewter-finished, laser-cut metal frames. You just have to brush against it to become aware of how pleasant it is to the touch, while your eyes become persuaded of its simple, contemporary design.

The bulky look created by the solid sculptural masses of the semi-circular legs of Wedge contrasts with the lightweight feet, which culminate in an oblique chisel tip shape. The entire volume of the table, hosting the large top, appears to become weightless and leans lightly on the tips of the legs, challenging the law of gravity. The element of surprise is even stronger in the version with barrel-shaped glass top, the surface of which reveals the semi-circles of the supports, positioned in a purposely irregular formation. The top comes in three different shapes - round, rectangular or barrel-shaped - with the four slightly curved sides and the option of choosing from bronzed glass, Moka-coloured ash wood or marble, in the Calacatta, Stone Grey and Nero Marquina colours. The bases, in Malt-coloured satin metal or polished steel - the latter clearly inspired by the Seventies - can be matched with the marble and wood tops. The base is also available in a Moka

The bulky look created by the solid sculptural masses of the semi-circular legs of Wedge contrasts with the lightweight feet, which culminate in an oblique chisel tip shape. The entire volume of the table, hosting the large top, appears to become weightless and leans lightly on the tips of the legs, challenging the law of gravity. The element of surprise is even stronger in the version with barrel-shaped glass top, the surface of which reveals the semi-circles of the supports, positioned in a purposely irregular formation. The top comes in three different shapes - round, rectangular or barrel-shaped - with the four slightly curved sides and the option of choosing from bronzed glass, Moka-coloured ash wood or marble, in the Calacatta, Stone Grey and Nero Marquina colours. The bases, in Malt-coloured satin metal or polished steel - the latter clearly inspired by the Seventies - can be matched with the marble and wood tops. The base is also available in a Moka

The bulky look created by the solid sculptural masses of the semi-circular legs of Wedge contrasts with the lightweight feet, which culminate in an oblique chisel tip shape. The entire volume of the table, hosting the large top, appears to become weightless and leans lightly on the tips of the legs, challenging the law of gravity. The element of surprise is even stronger in the version with barrel-shaped glass top, the surface of which reveals the semi-circles of the supports, positioned in a purposely irregular formation. The top comes in three different shapes - round, rectangular or barrel-shaped - with the four slightly curved sides and the option of choosing from bronzed glass, Moka-coloured ash wood or marble, in the Calacatta, Stone Grey and Nero Marquina colours. The bases, in Malt-coloured satin metal or polished steel - the latter clearly inspired by the Seventies - can be matched with the marble and wood tops. The base is also available in a Moka

Distinctive to the Catlin collection of dining tables is the deliberately uncomplicated design of the base that is available in a surprising number of combinations of materials: textured black-painted metal combined with bright Chrome or bright Gold finish. The beveled top comes in a number of shapes - round, oval and rectangular, and an assortment of finishes - from the tactile warmth of open pore Moka lacquered oak, to the refinement of polished Arabescato Purple marble and the modern feel of Smoked Grey glass.